For Pronunciation Teacher Training with Adrian Underhill 2013, go to Products, Courses, Conferences in side bar
Hello! This website is for teachers who want to develop their use of the Sound Foundations phonemic chart in their English language classroom, in order to make pronunciation an attractive and successful activity that integrates with and inspires all other language work.
This website is also about the search for a different and more successful way of learning and teaching pronunciation in English language classes. Topics covered include:
- Guided tours of the chart
- How to introduce the chart and use the embedded learner information.
- How to help learners find “the muscles that make the sounds”
- Techniques and tricks for using the chart
- Responding to learner problems ‘on the wing’
- Using the chart to integrate pronunciation into all language work
- Working with sounds, words, and connected speech
- Developing your confidence and insight into pronunciation
For a quick overview of the thinking behind this site, scroll down
Pronunciation infuses all language activity, including thinking
Clearly pronunciation is part of speaking. And when we start to learn a second or third language we may notice the ‘grip’ of mother tongue pronunciation, the learnt neuro-muscular of our L1 pronunciation.
Pronunciation is also part of listening, and we quickly find that the discernment of sounds of the new language is strongly influenced by this grip of the mother tongue. And pronunciation is present in reading silently when we ‘hear’ the words internally. This is especially the case for learners. Pronunciation is also present when we are writing, as we first formulate word sequences internally. Pronunciation is present in short term memory, as for example when I read a phone number and then go to the phone and dial it, or read a sentence which I then transcribe in my notebook. In these cases I retain the information in a kind of internal phonological loop. Pronunciation is often involved in thinking, wherever that involves internal speaking in my head, and it is an integral part of the learning and retrieval of vocabulary items.
Conclusion from this? That pronunciation is everywhere, in everything and is being reinforced or rehearsed all the time. Whatever we are doing in life, we are probably doing pronunciation as well, internally if not externally.
We bring two complications to the teaching and learning of pronunciation
Complication 1: Pronunciation comes to be seen by the learner, perhaps the teacher too, as rather mysterious, endless, conceptually elusive. It lacks a thinking tool or map or sense making mechanism.
Solution 1: Use a properly constructed pronunciation chart. It provides a map, a thinking tool, a complete gestalt. It gives the cognitive mind what it needs by presenting it with a map that shows what has to be done, how sounds fit together and how they are made physically. The Sound Foundations chart offers such a map which brings all this together in one visual sweep. This map is not only a map to look at. it also constitutes the pronunciation whiteboard, on which problems solutions and experiments are tracked and worked on by students and teacher.
For more on this explore The chart and physicality under the Topics sidebar
Complication 2: Pronunciation is cognitively taught (perhaps like a university phonetics course) when it should be physically taught. Or if physically taught it is usually by repetition, which practises and rehearses the mother tongue grip, without helping the learner get free from that grip.
Solution 2: Teach pronunciation physically, like dance. Help learners to reconnect with the muscles that make the difference. Learning pronunciation is more like learning a dance than it is like learning grammar or vocabulary. Indeed, pronunciation is the physical aspect of language, it brings language into the world, otherwise language would remain stuck in our heads…
To liberate learners from the muscular grip of their mother tongue pronunciation think of yourself as a dance teacher, helping learners to discover a set of new movements beyond their normal habitual repertoire of movements. To teach pronunciation is to teach a subtle inner dance. I have found that the conscious rediscovery of as few as four ‘muscle buttons’ is enough to navigate almost anywhere amongst the new vowels and consonants:
1. Tongue (moving forward and back)
2. Lips (spreading and bringing back, or rounding and pushing forward)
3. Jaw + tongue (moving them up and down)
4. Voice (turning it on or off, to make voiced or unvoiced sounds)
For more on this explore The Story of Sounds and The chart and physicality under the Topics sidebar